Film flops with lead actor"s horrendous belting combined with Emmy Rossum"s timid vocals


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But in 2004, the long-gestating film variation was finally released, to the bile of pan everywhere. Starring the madness miscast Gerard Butler together the Phantom and also Emmy Rossum as the thing of his affection, Christine, this version of “Phantom” was directed by the notorious Joel Schumacher. Yes, the “Batman and Robin” Joel Schumacher.

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This film is so amateurish, for this reason unambitious, therefore spectacularly incompetent the it renders the “Rent” movie, which came out the year after, look like a masterpiece. The concern most glaringly apparent to the layman is Butler and also Rossum. Plain and simple, they can not sing. Butler’s is worse at first — he is really more screaming 보다 singing.

During “Music the the Night,” one of the Phantom’s signature numbers, that desecrates one of the most beautiful song in current Broadway memory. There are too many problems through his to sing to list, however the worst is his belting. Whenever he lets his chest expand and shot to sing at complete power, it come out together a guttural yell. It sound genuinely awful, particularly when contrasted to people like Michael Crawford and also Ramin Karimloo that lend their spectacular voices come the role.


Rossum is open minded no better. Though her voice is somewhat much more aesthetically pleasing, her lack of training and also confidence is painfully obvious. Rossum was only 17-years-old as soon as this film come out, and it shows.

If you hear to “Think of Me,” Christine’s first real showcase, it falls massively level in the movie. Rossum just does not have actually a voice on the level of buy it Brightman or Sierra Boggess, and while she deserve to marginally carry a tune, she brings very small to it.

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Looking past the disappointing Butler and also Rossum, the rest of the film just does no work. Schumacher, in every his incompetence, cannot control to consistently develop compelling frames. Also with the miserable performances native the two leads, this film’s greatest failings come native the technical aspects.

John Mathieson, manager of photography for the film, to be nominated for an Oscar for his work, which is completely baffling. The cinematography top top “Phantom” is abysmal. Virtually every set is overlit and also miniscule, a negative enough crime in and of itself. But the use of various shots is mystifying. There space so plenty of long takes wherein there have to not be lengthy takes, presumably to hide how pitifully small the sets are. And when a lengthy take might impart some degree of feel on a frame, Mathieson and Schumacher employ cuts instead.

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While Mathieson has done some other good work, such as “X-Men: very first Class” and also “Gladiator,” the crap seems to outweigh the good. His résumé is also loaded through abysmal flops like “Pan” and “47 Ronin.”

Honestly, there are enough worries in this movie, including comparisons to the original show, the book it’s adjusted from and also the multitude of other adaptations to prattle on for thousands and also thousands of words.

But because that now, contents yourself with the fact that you can probably sing “Music the the Night” better than Gerard Butler.